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Emily Brontë (1818-1848)

“To Imagination” (1846)

Editorial Introduction

By Rebekah Chavez

Emily Jane Brontë brings uniqueness to her works and gives the readers a glimpse into hope while living in a reality that is tainted with loneliness. Her poems tend to be reflective of her thoughts, and she engages her readers by bringing the spirit of imagination to comfort the speaker of her poem “To Imagination” in a world where women often were not treated well, and readers can see how Brontë shines a light on living a queer lifestyle in the Victorian era. Queer, in this sense does not necessarily have a sexual connotation, but one of living as “othered,” as Claire O’Callagahn explains in her essay about the queerness and solitude with which Brontë is associated (207).
Brontë reflects complexities that apply to both the speaker and women of the Victorian era. She uses enough vagueness to save her scrutiny but includes poignant opposing imagery that ensures readers understand how unsatisfied the speaker is with the dull life in which she is living how much she longs for something more.
In the beginning of the poem, the speaker sees imagination as a friend who has come to comfort them with happy images of “a bright, untroubled sky” (Line 16). The world described as dangerous and dark, and though the speaker wants to stay in the world where their life is wrapped in warmth and light, she tells the reader that imagination cannot be trusted and thrust the reader back into a reality in which she must reconcile with the harsh actualities of the world in which she lives.
During the final line, the speaker uses more juxtaposing language of “when hope despairs” (Line 36). This reminds the speaker and the readers that even though imagination should not be trusted since it is an invisible entity, it can still give the most valuable thing a person can have hope.

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When weary with the long day’s care,
And earthly change from pain to pain,
And lost, and ready to despair,
Thy kind voice calls me back again:
Oh, my true friend! I am not lone,
While then canst speak with such a tone!

So hopeless is the world without;
The world within I doubly prize;
Thy world, where guile, and hate, and doubt,
And cold suspicion never rise;                                                    10
Where thou, and I, and Liberty,
Have undisputed sovereignty.

What matters it, that all around
Danger, and guilt, and darkness lie,
If but within our bosom’s bound
We hold a bright, untroubled sky,
Warm with ten thousand mingled rays
Of suns that know no winter days?

Reason, indeed, may oft complain
For Nature’s sad reality,                                                                 20
And tell the suffering heart how vain
Its cherished dreams must always be;
And Truth may rudely trample down
The flowers of Fancy, newly-blown:

But thou art ever there, to bring
The hovering vision back, and breathe
New glories o’er the blighted spring,
And call a lovelier Life from Death.
And whisper, with a voice divine,
Of real worlds, as bright as thine.                                              30

I trust not to thy phantom bliss,
Yet, still, in evening’s quiet hour,
With never-failing thankfulness,
I welcome thee, Benignant Power;
Sure solacer of human cares,
And sweeter hope, when hope despairs!

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